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Gender and War since 1600
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PART III: THE AGE OF THE WORLD WARS
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16. Gendered War Mobilization, Culture and Music in the Age of World Wars
Author: Annegret Fauser
Taylor, Philip.
Munitions of the Mind: A History of Propaganda from the Ancient World to the Present Day
. 3rd ed. Manchester; New York: Manchester University Press, 2003.
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Morris, John.
Culture and Propaganda in World War II: Music, Film, and the Battle for National Identity
. London: I.B. Tauris, 2014.
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Pochmara, Anna.
The Making of the New Negro: Black Authorship, Masculinity, and Sexuality in the Harlem Renaissance
. Amsterdam: Amsterdam University Press, 2011.
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Ogbar, Jeffrey O. G.
The Harlem Renaissance Revisited: Politics, Arts, and Letters
. Baltimore: Johns Hopkins University Press, 2010.
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Cochran, Alfred W.
"
The Documentary Film Scores of Gail Kubik
." In
Film Music: Critical Approaches
, edited by Kevin J. Donnelly, 117-128. New York: Continuum, 2001.
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Strötgen, Stefan.
"
"I Compose the Party Rally. . .": The Role of Music in Leni Riefenstahl’s Triumph of the Will
."
Music and Politics
II, no. 1 (2008): 1-14.
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Buch, Esteban.
Beethoven's Ninth: A Political History
. Chicago: University Of Chicago Press, 2004.
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Boulanger, Lili, and Alfred de Musset.
Pour les funérailles d'un soldat
. Paris: Editions Ricordi, 1918.
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White, Harry, and Michael Murphy.
Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945
. Cork: Cork University Press, 2001.
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Zalfen, Sarah, and Sven Oliver Müller.
Besatzungsmacht Musik: Zur Musik- und Emotionsgeschichte im Zeitalter der Weltkriege (1914-1949)
. Bielefeld: Transcript, 2014.
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