The Bigger Picture: Gender and the Visual Rhetoric of Conflict

Employing a multiple method triangulation strategy and adapting Stuart Hall’s encoding/decoding model as a theoretical framework, this study uses the World Press Photo Awards (WPPA) as a sample to empirically assess the extent to which gender influences the production, representation and reception of conflict images. The study examines whether women photojournalists are gaining increasing recognition, and gauged whether there are discernible gendered differences in the semiotics of conflict photographs. Findings suggest that the gradual increase in the numbers of women photographers may account for the shift toward “aftermath” imagery, but that a complex assimilatory process has wrought an intersection between traditionally “feminine” and “masculine” tropes. Women are still under-represented in photojournalism, and, while not wishing to be defined by gender, they have a sense of “doing things differently”; in gaining access unique to the world of women, women photographers have intimate access to subjects which would otherwise remain under-represented.